by Helen Cox
27 March 2013
Shot in monochrome and set in New York, one might be forgiven for mistaking Frances Ha for a sequel to Woody Allen’s Manhattan (1979). While there are definite nods to Allen’s idealised vision of New York this picture is less-concerned with romantic entanglements, something of an obsession for Woody, and instead explores friendship and personal growth.
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by Adam Vaughan
26 March 2013
Steven Soderbergh’s Side Effects begins as a psycho-thriller that craftily mutates as you watch it, turning out to be something quite different.
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