by Helen Cox
28 March 2013
Unless, like me, you have closely followed the work of Guardian critic Joe Queenan it’s quite possible that you’ve never heard of The Unkindest Cut . Originally published in 1996, the book tells of Queenan’s attempt to follow in the footsteps of Robert Rodriguez who reportedly made his feature debut, El Mariarchi (1992) for $7000. [...]
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by Helen Cox
27 March 2013
Shot in monochrome and set in New York, one might be forgiven for mistaking Frances Ha for a sequel to Woody Allen’s Manhattan (1979). While there are definite nods to Allen’s idealised vision of New York this picture is less-concerned with romantic entanglements, something of an obsession for Woody, and instead explores friendship and personal growth.
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