by Michael Ewins
15 November 2013
A long-standing cult favourite, Walter Hill’s Streets Of Fire is a formalist exercise in the language of movie cliché, a mélange of 1950s and 1980s aesthetics designed to fulfil the director’s boyhood dreams. “Kissing in the rain, neon, trains in the night”… Hill’s list, taken from the original 1984 press kit, lays down the blueprint […]
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by Michael Ewins
15 November 2013
Handsomely crafted by writer/director Jean-Pierre Améris, whose last film was the Capra-esque confectionary comedy Romantics Anonymous (2010), this Victor Hugo adaptation about an adopted family of circus travellers is a unfortunately prosaic and dull fantasy.
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